This is part of a series giving a few of the key things to know about individual companies.
1. Ceramano started in 1959 and was created by Jacob Schwadderlap (also owner of Jasba) to focus more specifically on higher quality art pottery. (While many commercial potteries have produced art pottery lines, most of them also produced other lines that were less expensive to produce and sell in larger quantities. In many cases, art pottery lines were only possible because the more decorative and utilitarian items made enough profit to experiment with “art”.
2. The original designer was Hanns Welling. Gerda Heuckeroth also did design work.
3. Ceramano used brown to red-brown clay with the exception of some blanks purchased from Ruscha in the very early years (possibly just wallplates).
4. Marks on Ceramano are almost always hand done, usually incised through the glaze and may include company, decor/glaze name, country, and shape number. In some cases, only the shape number is used. Some items include artist initials, but nothing is yet known about actual names. (The same is true with most companies.)
5. Just what a decor/glaze name refers to can vary to the point that items with the same name may look quite different. In other cases, the name actually refers to color rather than anything else. “Polaris” is the white version of a given form series, while the same design in red is “Fire” and in yellow is “Sunset”. (Polaris is pictured.)
6. Ceramano also produced some hand made items. An example with the “Achat” or Agate glaze is pictured. Lines on the bottom show where the pot was removed by sliding a wire back and forth, which is the case with all the “studio” items from Ceramano. (This technique shows up on studio work from other artists and times and is not exclusive to Ceramano.)
7. Some of the best known items include Pergamon and Rubin. Overall, Pergamon and a few others are fairly common, but form and quality of decoration can vary widely, which should be taken into account when considering “market value”. Better decorated, harder to find shapes or sizes can still be of significant “worth”. Rubin is harder to find and typically sells high, but there are also a variety of rare, impressive glazes of greater aesthetic value that may sell at a relative bargain….if you find them.
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