Bodo Mans is one of the few designers who had established some reputation before he designed for a West German pottery company, and collectors were seeking his works for Bay years before W. German pottery became a popular collectible. Indeed, some of them sold higher then as Bodo Mans items than they do now as Bay or West German. Although this early popularity has not translated into higher prices today, it has certainly become a hot keyword with the usual results.
Based on information in the Horst Makus books, there are a few decors in the early 1960s attributed to Mans, including Reims in 1960, Istanbul in 1961, and Ravenna, also 1961. I believe some others in that era have also been documented, but I’m not certain.
However, I tend to doubt that Mans designed every work that gets attributed to him on the internet. It seems that every embossed design gets attributed to Mans, even if it was designed after Mans had switched to freelance work (which makes it possible but less likely for a Bay design to be by Mans).
Of course, the reality is that the name of the designer has no more effect on the aesthetics of an item than does the name of the company. Yes, it’s of interest to know who made the items, and it certainly makes searches easier. The great advantage and disadvantage of the internet is the importance of being able to run a precise search. However, we can’t let ourselves be tricked into raising market values based on names….not the name of the designer, not the name of the company, and not the name of
someone who goes on tv and says a particular item is interesting (more on that eventually in a Roth entry). We say that beauty is in the eye of the beholder, but I believe that the beholder has a responsibility to train that eye. Collect what you want, but respect and appreciate it for what it is, good, bad, or indifferent.
If you got here without going to the main site, you can get there by clicking here: ginforsodditiques.com. You’ll find more information plus items for sale…….not just the usual suspects.